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~~ Gallery 18 ~~
Regional Cards

China and Hong Kong
page 1
Historical Notes
Money-suited Cards
part I

go to
page 2
cards II
page 3
Chinese chess
page 4
page 5
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my thanks to Jeff Hopewell, ChungPang Lai,
John McLeod and Dylan W.H. Sung for their precious help

Due to romanization (i.e. the spelling of Oriental words in Western letters based on their original sound)
some names might have different versions. In these pages the standard system presently used (Pinyin)
has been adopted, including some names quoted from the works of other authors.
For some names the original Chinese spelling is also shown.
Since Mandarin is the official language of the country, though many playing cards
are from areas where Cantonese, Hakka and other dialects are spoken,
the names are given in their most common form.


In China several traditional cards exist, most of which are still in use, especially in the provinces located along the coast.

Most of the packs are made of a larger number of cards than the European ones. They might look peculiar to Western eyes, both for their dimensions, usually thin and long, thus quite smaller than Western ones, and for the variety of illustrations and personages they feature.
The reason for such a narrow shape is very likely the use of holding many cards in hand at the same time, overlapped in a "vertical" arrangement (i.e. not in "fan" position), so that one of their ends remains visible: their indices, where present, are consistent with this arrangement, being located at both ends of the cards.

Another typical feature rarely encountered in Western cards is that, with few exceptions, the subjects of a Chinese deck are duplicated several times (how many times depends on the pattern or even on the different editions), and this explains how some decks may contain over 150 cards.
Their backs, instead, are more often plain, i.e. of only one colour, but some patterns do have geometric motifs, in a more Western fashion.

Many decks are sold either wrapped, or bound together by a strip of paper with the company's name, or even tied with a string, as shown in these pictures. A cardboard box too is sometimes used.

The Chinese patterns may be grouped into a number of main families, known as money-suited cards, chess cards, domino cards and character cards, according to the kind of suits and to the structure of the deck.
However, these are Western names and do not correspond to the way Chinese players refer to them; furthermore, even within one same group each of these patterns should be considered individually, because the number of cards they are made of, the geographic area they belong to, and the games played with them are different.

Since the literal translation of the names of decks, suits and single cards in Chinese does not always match their Western equivalent, both the original version and the less "exotic" one (provided the latter does exist) are reported in the text.

Lastly, a note of folklore. The Cantonese have a saying: good things come in pairs. This is clearly reflected by the names of the brands and the decorative details featured in couples by several cards, an element of good luck that characterizes decks from the south-east of China and Hong Kong (as seen in the picture on the right).

playing card brands from south-eastern China and Hong Kong

For the sake of a faster loading of the pictures, this gallery is divided into monographic pages, as follows:
MONEY-SUITED CARDS (part II)  . . . . . . . . . . . . . . . . . . . . . . . . page 2
CHESS CARDS  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 3
DOMINO CARDS  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 4
CHARACTER CARDS  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 5

(skip the historical notes)


China is the country in the world where playing cards were first created, probably hundreds of years before they reached Europe, but the scarce sources available and the inevitable linguistic difficulties give reason for many gaps still left in the history of early Chinese cards.
At the end of the 19th century, anthropologist S.Culin and sinologist W.H.Wilkinson investigated the patterns extant by those times, and compared them with earlier decks and single cards found in museums and collections (the pictures shown along the historical notes are original illustrations taken from a publication by Wilkinson dated 1895).
Their reports clearly show that playing cards in China have not developed in time as much as they did in Europe, and that their suits and subjects have remained substantially unchanged.

The popular variety of cards featuring black and red dots sprang from domino sets, or  Ku Pai ("bone tiles") in Chinese, whose pieces were - and still are - quite similar to the Western ones (see page 3).
Sometime around the 12th century (a rather approximate dating), decks made of pasteboard began to appear in place of the usual ones, of bone or ivory.

Although this may sound strange, the Chinese make little distinction between "tiles" and "cards", the latter simply acting as an alternative shape of the former, so that both of them are referred to as pai, a generic word for labels, tiles, cards, tags, etc.

Unlike actual tiles, though, Chinese domino cards developed through the ages into different patterns, according to the number of duplicate subjects for each combination of dots and to the size of the cards (ranging from very small to rather large). They are described in page 3.

Another early pattern is known as  Gun Pai ("stick cards" or "cane cards"), likely referring to their shape.
Wilkinson maintained that these cards were created from early books, whose pages were made individually detachable for an easier reference; later on, their use as an amusement would have caused their size to be reduced. According to his theory, this kind of books came into use in China by the mid 8th century; if this proved correct, the Gun Pai might have been created before the domino cards.

The structure of this pattern was described as based upon three suits, whose cards featured signs from 1 to 9 (but one suit had numerals). The suits were identified by Wilkinson as  Jian (or Qian) "coins, money",  Tiao with a meaning of "long things, sticks", and  Wan meaning "myriads, 10,000".
Three more subjects named  Qian Wan ("Thousand Myriads", also known as "Old Thousand"),  Hong Hua ("Red Flower") and  Bai Hua ("White Flower") completed the set.
A full deck contained four duplicates of each subject (120 cards in total) plus, in some editions, a variable number of special loose cards, up to six per pack, whose function in play - according to Wilkinson's report - was the same as that of Western jokers, i.e. they acted as wildcards that could replace any standard subject.
An identical composition is still found today in the DongGuan pattern, described in this page.

early 9 of Myriads

As an alternative name for these cards, Wilkinson's report mentions  Ma Jue, what in Western countries is now called Mah Jong, basically a variant of the classic money-suited scheme, described in detail in page 2. However, it is now believed that the game of Mah Jong was born much later than the Gun Pai, probably sometime during the 18th or 19th century.

Despite the shape, the length, the graphic style, the use of indices, etc. of old Gun Pai decks appear rather heterogeneous, they belong to one same pattern, the ancestor of the three-suited Chinese and Vietnamese money cards now extant.

3 of Coins (or Cash)
Lastly, both Culin and Wilkinson described a third early pattern, labelled by the latter author with the Cantonese name of  Lat Chi ("waste paper"). Quite similar to the Gun Pai, these decks had four suits instead of three: "coins", "strings", "rouleaux" and "lakhs" (whose meaning is "hundred thousands"), according to Wilkinson. Culin, instead, reported them as "coins", "strings", "ten thousands" and "tens". In these cards the actual suit names were usually featured:  Wen (i.e. Cash, the least valuable old Chinese coins, with a hole in the center),  Suo ("strings", on which such coins used to be strung),  Wan ("myriads", or "10,000"), and  Shi ("tens, 10"). An example is shown in the picture on the left
Also these cards featured values from 1 to 9. Wilkinson specified that the 1s of both the highest and lowest suits were called "100 children" and "ace of Coins".
Two more subjects belonged to the pack: one of them matched the Gun Pai's "White Flower", and the other card likely corresponded to the "Red Flower". All the 38 cards of these packs were single (no duplicated subject).
Today's Hakka cards, see page 2, and the Vietnamese Bt deck, described in the South-East Asian gallery - page 3, practically have the same composition.

It is not possible to define whether the Gun Pai or the Lat Chi was the original pattern from which the other one sprang in a second time, but there is little doubt that they shared a common ancestor.

Recently, scholar A.Lo reported sources from the mid 15th century and the late 16th century in which two four-suited patterns, one with 38 cards and one with 40 cards respectively, are described in detail. The first one matches Wilkinson's Lat Chi; the 40-card deck, instead, has two additional subjects, and is referred to as for the game of Ma Diao, whose phonetic resemblance with the aforesaid Ma Que (or MahJong) is likely not a coincidence.

The oldest known Oriental playing card was found in 1905 in XinJiang province (Central Asia, presently nort-western China), by an archaeological site near the city of Turfan, whence its present name. It is now held by the Staatliches Museum für Vo1kerkunde, in Berlin (Germany).
the Turfan card
Unfortunately, the age of this card cannot be assessed, although it is believed to be several centuries old. It might even be the oldest extant in the whole world, but no evidence supports this claim. Therefore, this specimen tells us much more about where such cards were used, rather than when this happened.
Whatever age it may belong to, the striking resemblance with some of the subjects found in modern money-suited decks indeed suggests a connection; the stylized faces featurd on such cards represent the personages of a popular novel called The Water Margin (Shui-hu Zhuan). The same personages are also commonly borrowed by other types of playing cards, particularly the Chuan Pai (a Chinese domino card variant) and Poker decks, in which their full figures are used as decorations in the central part of the card. The novel itself may provide a clue for the dating: it was written in the 14th century, and considering that some further time should have elapsed before its personages became renowned throughout the country, we may speculate that these faces should have not appeared on Oriental playing cards any sooner than during the same century, or eventually later. But this time limit would only be correct in the case the portrayed subject really was a character from The Water Margin.

The Turfan card is consistent with the subject found in money-suited decks called Red Flower (see details in the following paragraph), and also the shape of the card seems to match that of modern Chinese decks.

Another unsolved question is "where did the card come from?".
In fact, in XinJiang province, once Chinese Turkestan, the language spoken was (and still is) Uyghur. Originally, it was spelt with an archaic script called Orkhon, then replaced with the Arabic one in the 16th century, and finally in the 20th century with both Western and Cyrillic alphabets. Chinese glyphs, such as the ones featured at both ends of the card, were never used. Therefore, this specimen may have come to Turfan from further east, maybe left behind by soldiers or by merchants; elseways, it may be the proof of a very early pattern, but already popular up to the point of being known in Central Asia, whose design (including the glyphs) would have remained steady, regardless of the geographic area where the cards were printed and/or used.
the location where the card was found


Southern China and Hong Kong
Money-suited cards is the name given to the most important group of Chinese patterns. It was inspired by the old local coins, to which the graphic look of the suits is related. These patterns are popular especially in the regions along the country's central and southern areas (see map).
The main features of the group are:
  • three suits, given the Western names of Coins, Strings and Myriads;
  • values running from 1 to 9, plus a number of honour cards, of higher rank;
  • some decks also have one or more special subjects.
Also a few 4-suited patterns, such as the Hakka cards and the Vietnamese Bâ´t cards, belong to the money-suited family (for the latter pattern see the Vietnamese gallery).
  • Coins suits in this group usually feature a stylized pattern related to old Chinese coins (the ones with a square hole in the center). The name of such coins, Cash, is also alternatively used to indicate this suit.
  • The Strings, instead, show these coins threaded up on a string, as Chinese people used to carry them (i.e. a striped pattern represents these threads as seen from aside). Symbolically, Strings are equals to 100 coins.
  • the cards of Myriads have stylized patterns inspired by Shui-hu Chuan ("The Water Margin"), a well-known 14th century fictional story written in Chinese vernacular language.

the old Chinese Cash that
inspired the money-suited system

the wan (or man)
in ordinary and
official spelling
Myriads are the only cards whose values are not stated by the number of suit signs (or pips), but by Chinese numerals from 1 to 9. The name of this suit comes from the character wan (or man in Cantonese dialect), meaning either "ten thousand" or "myriads, multitude", which in some patterns appears next to the value's numeral.
Since all Chinese numerals can be spelled in two forms, the ordinary one and the official one (more elaborate), in the cards of Myriads the number expressing the value is always found in ordinary form, while the suit character (wan) can be found in either of the two, as shown on the left.

In other card patterns, instead, the sign of the Myriads suit is a different character, guan (Cantonese gun), shown on the right, whose literal meaning is "to pierce, to pass through", but also meaning "a string of 1,000 coins".


In spite of being different characters, these two may be considered as "interchangeable" signs for the same suit. In fact, Wan is used in short for "10,000 Guan" (i.e. 10,000 x 1,000 coins, or 10 million coins). Furthermore, the suit of Guan is referred to as Wan by players, and these two signs (or suits) never appear in the same deck.

In four-suited patterns (such as the Chinese Hakka or the Vietnamese Bâ´t ) there is a further suit of higher rank, named Tens, which actually means "tens of myriads" (i.e. 100 million coins).

Such a numerical interpretation of the suits is proven by the rank they have in some games, which goes from Tens (if present) or Myriads (either Wan or Guan) to Strings, down to Coins, i.e. single units.
Only Mah Jong suits partially diverge from the aforesaid scheme (see table on the right and relevant paragraph further down in the page), but the signs adopted still show a graphic resemblance with the traditional ones, having sprung from the latter.

the shape of signs in different money-suited patterns

all DongGuan cards shown come from a Double Elephant Brand edition, by Guan Huat (Hong Kong)

GuangDong province
The name of this pattern simply means "DongGuan cards" (referring to a town in the province of GuangDong, southern China.
The deck contains 124 cards, divided into three suits named Wen, Suo and Wan, equivalent to the aforesaid Coins, Strings and Myriads.
In this pattern the suit of Wan (Myriads) is shown by means of the character guan, previously described, though its name has remained unchanged. It features very stylized faces, representing personages from "The Water Margin", as explained in the introduction.
The values of these cards run from 1 to 9.
The 9 of Strings is different from other subjects because it features a red stamp (or seal).

1, 5 and 9 of Wan (Myriads)

2, 3, 7 and 9 of Suo (Strings)

the Gui card, Da Hong,
Ba Shu
and Xiao Hong, or
Ghost, Old Thousand,
White Flower and Red Flower
This deck also has three additional or honour cards named Da Hong ("big red"), Xiao Hong ("small red") and Ba Shu ("eight bundle"), probably referring to the eight chevron-like elements in the upper part of the card. Other known names for these cards are Old Thousand, Red Flower and White Flower, respectively. The first two of them feature a couple of red stamps, similar to the single one featured by the 9 of Strings; the White Flower instead has no stamp and shows a stylized white flower in a pot.
The masque-like pattern featured by both the Da Hong (a.k.a. Old Thousand) and the Xiao Hong (a.k.a. Red Flower) has graphic resemblance with the cards belonging to the Wan (Myriads) suit: in fact, also these ones represent personages from the same epic novel.
There is a further special card in the deck, named Gui (Cantonese Gwai), meaning "devil" or "ghost", featuring a small male figure that wears traditional Chinese clothes. This is the only subject whose illustration is not in black & white, except the red seals, and its purpose is that of the special loose cards in early Gun Pai decks (see the historical notes).

In the DongGuan deck, each of the cards mentioned above is repeated four times.

While in the Wan (Myriads) suit values are indicated by numerals, in the other two suits this is shown by pips. To a westener's eye, some of these arrangements might be difficult to read. In the Strings suit, for instance, what has to be counted is the number of "ladder-like" or "railway-like" stripes, which represent threads of coins, as mentioned above in the introduction; the 9 of this suit does not follow this criterium, but it can be easily told all the same because of its red stamp (see previous picture).
Also values shown by the Coins suit are not so easy to read, as the illustrations are very stylized, and in most cards only a section of each coin is shown.

1, 4, 6 and 9 of Wen (Coins)

DongGuan cards are used for playing DaFu and QuanDui; rules for the latter game can be found in the relevant page of John McLeod's website.

Money-suited cards found in various parts of China comply to less strict schemes than Western patterns; in fact, although all packs have traditional suits, with pip cards from 1 to 9, the number of times each subject is duplicated and the quantity and illustrations of the special cards (if any) are subject to changes.
ZheJiang province
Furthermore, these decks are often manufactured and marketed on a local basis (up to recent times, in China there was no company large enough to print and sell cards all over the country). Therefore, it is not unlikely for some patterns to bear more than one name in different parts of China, while other patterns do not even have a specific name, being generically referred to by the local players as "cards", "paper cards", or other generic names of the like.
This is the case of the pattern featured in the following pictures, that comes from the province of ZheJiang, merely labelled as "plastic cards for amusement".
The deck contains the same subjects as the aforesaid DongGuan pattern, including Old Thousand, Red Flower and White Flower, but in this case each card is repeated five times instead of four.

samples from the suits of
Coins (top row), Strings
and Myriads (bottom row)
There are also five special subjects featuring human figures, whose names read the Major, the Minor, Money, String and Myriad (the last three evidently refer to the suits which, however, they do not belong to). A sixth special card has no human figure but a rather large vertical text, merely a certification of the product's quality ("meeting the standard"). These six subjects, shown at the bottom of the page, are single.
All together, the cards in the deck are 156.
Out of five sets, two of them and the six special cards are illustrated in colour, while all the other ones are in black and white. Samples of the latter are shown in the picture on the left (i.e. the card to the far right in each row).

Old Thousand, Red Flower,
and White Flower
On both ends of each card is a small black rectangle with a white pattern inside: these are indices, from whose shape both the value and the suit of the card can be told. The system is shown in full in the diagram below.

note how Coins and Strings differ from Myriads by tiny
graphic details (dots, lines), that somewhat recall the shape of the suit

Similar index systems are used by other money-suited patterns (see also the South-Eastern Asian gallery).
Instead, the Old Thousand, the Red Flower and the White Flower, as well as the special subjects, feature different indices. The latter have them in yellow; among them, the top index of the "meeting the standard" subject reads "king card".
Besides the use of coloured subjects, other unusual details are found in this pattern. For instance, the absence of red stamps on the Old Thousand, Red Flower and 9 of Strings. One more curious feature is the graphic look of the Strings suit: the 3-dimentional rendering of the coins strung together is somewhat reminiscent of the cudgels in the suit of Batons belonging to the central-southern Italian and Spanish cards (see the relevant galleries).
Also the faces of the personages in the suit of Wan, yet naive, are less stylized than the ones found in the DongGuan pattern.

the special cards: (from the left) the Major,
the Least, Money, String, Myriad
and King Card

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page 2
(part II)
page 3

page 4

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